Major elements of Bauhaus typography in Bayer's original form were the elimination of capital letters, composition based on strong geometrical elements and expressive use of colors, and the replacement of the Gothic font by a more cosmopolitan font suitable for the move from handcrafted to standardized production. The most well known Bauhaus typeface is Bayer's Universal.
In that era, they would only be drafts, and were not manufactured into printing typefaces yet, although they were used for signs, book covers and publications by the Bauhaus. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals-sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.Ĭommon elements of Bauhaus fonts include geometric, sans-serif letterforms.Ĭontrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall.
